There is an abundance of distortion with guitarist Stephen Carpenter’s sound, with late bassist Chi Cheng picking up the role of the rhythm, most notably on the album’s fifth track, the mournful “Deathblow.” It doesn’t take away from the music in fact, it makes it that much easier to get involved with.
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The song was the second single off the album, and the video was well received and had significant rotation on MTV’s “Headbanger’s Ball” and Fuse’s “Uranium.” The song sets the tone for the rest of the album with thundering bass hits to soft melodies. Musically, the album is a lot heavier than “White Pony.” From the opening riff of “Hexagram,” the album is a heavy metal journey. He truly shows his range with his singing as well – the growls, high-pitched screams, and melodies are carried by the fact he had vocal lessons after damaging his vocal chords during the band’s 2001 summer tour. He is rather well-known for the duality of a lot of the lyrics, and most songs on this album allow for multiple interpretations by the listener. Album reviewer Stephen Thomas Erlewine wrote that “Hexagram,” the album’s first track, “hits hard – harder than they ever have, revealing how mushy Staind is, or how toothless Linkin Park is.”Ĭhino Moreno’s lyrics are some of the best on this album, even standing up against newer releases. Reviews for the record were mainly positive, the heavy sound garnering praise for the originality while most of the “nu-metal” scene was dying out. 2, sold 167,000 copies in its first week and remained in the Billboard top 100 for nine weeks supported by the first single, “Minerva.” The album, released May 20, 2003, entered the Billboard 200 at No. A few of the songs on the album were written while the group was in the studio.ĭespite a total production time of 12 months and a bill of roughly $2.5 million (because the band was fined by label Maverick Records for missing deadlines), the group put together one of their heaviest and most memorable albums.
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They took considerable amounts of time to write and record music, and lacked material when they entered the studio. “Deftones” was the last album produced by Terry Date, who had worked with the band since their first album, because of the ridiculous amount of time spent in the studio. Following a year and a half of touring in support of the platinum-selling album “White Pony,” Deftones took a two-month break before heading into the studio to produce their eponymous fourth album released 11 years ago.